• The art of transition

    Giorgio Parolini elicited gentle and frenzied sounds from the queen of instruments at the Meiningen Organ Summer concert in the city church. And not just with “classic”. The Adagio from Charles Marie Widors (1844–1937) Symphony No. 6 (op. 42/2) comes to an end in a calm and playful manner, the carefree melody is carried by […]

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  • From Milan to Gräfenhain

    Giorgio Parolini fascinates once again during his guest performance on the Thielemann organ of the Trinity church The Milan organist Giorgio Parolini returned once again to the Thielemann organ in the Dreifaltigkeitskirche in Gräfenhain built between 1728 and 1731. Much to our pleasure, he also included representatives of the Italian organ school in his program, […]

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